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Japan StippyJapan Waiwai Archives 関連ページ Japan Stippy http //www.stippy.com/ ドメイン管理者の国はアメリカ 364 名前：可愛い奥様[] 投稿日：2008/08/04(月) 08 17 13 ID qAImUizy0 既にご存知かもしれませんが、このＨＰも相当、酷いですよ。 ↓ http //www.stippy.com/ waiwaiが終了したのは、少数の日本人とライバル社のせいで、 waiwaiの素晴らしい遺産を独り占めせず公開する…とかなんとか言って変態記事を載せています。 こんな外国人の為に、税金が使われていると思うと、、、ゲンナリしてしまいます。 ↓ All of the writers on this site are graduates of the Monbukagakusho (or Monbusho) Scholarship. このサイトの作家は皆、Monbukagakusho(または、Monbusho)奨学金の卒業生です。 This is scholarship provided by the Japanese Ministry of Education (MEXT), which gives free tuition for 5 years (often more) at any National University in Japan. これは5年間(しばしばより多くの)日本のどんな国立大学でも授業料なしの教育を与える日本の文部省(MEXT)によって提供された奨学金です。 Japan Waiwai Archives http //www.stippy.com/category/japan-waiwai-archives/ waiwai の記事が40本転載されている。 WaiWai Clumsy cop the link between mutilated Filipina and slain stalker victim http //www.stippy.com/japan-waiwai-archives/clumsy-cop-the-link-between-mutilated-filipina-and-slain-stalker-victim/ WaiWai Get wet and go wild - housewife rakes in extra loot at the neighborhood body wash http //www.stippy.com/japan-waiwai-archives/get-wet-and-go-wild-housewife-rakes-in-extra-loot-at-the-neighborhood-body-wash/ WaiWai Foreigners’ Home Sweet ‘Homi’ greeted by local cold shoulder http //www.stippy.com/japan-waiwai-archives/foreigners-home-sweet-homi-greeted-by-local-cold-shoulder/ WaiWai Tokugawa clan looks to slam the gate on future chief’s marriage to foreigner http //www.stippy.com/japan-waiwai-archives/tokugawa-clan-looks-to-slam-the-gate-on-future-chief%e2%80%99s-marriage-to-foreigner/ WaiWai The Cook, the Beast, the Vice and its Lover http //www.stippy.com/japan-waiwai-archives/the-cook-the-beast-the-vice-and-its-lover/ WaiWai Gals refresh body and soul by ‘recycling sex’ with old beaus http //www.stippy.com/japan-waiwai-archives/gals-refresh-body-and-soul-by-recycling-sex-with-old-beaus/ WaiWai Defense Ministry turns to Lolita manga character to reveal inner self http //www.stippy.com/japan-waiwai-archives/defense-ministry-turns-to-lolita-manga-character-to-reveal-inner-self/ WaiWai Teachers crying foul over unhygienic kids http //www.stippy.com/japan-waiwai-archives/teachers-crying-foul-over-unhygienic-kids/ WaiWai Wine bath for the nads, mud pack for the sack pledges heavenly pleasure http //www.stippy.com/japan-waiwai-archives/waiwai-wine-bath-for-the-nads-mud-pack-for-the-sack-pledges-heavenly-pleasure/ WaiWai Busty babe puts pushy policemen in their place http //www.stippy.com/japan-waiwai-archives/waiwai-busty-babe-puts-pushy-policemen-in-their-place/ WaiWai Government’s fear mongering myth of crime wave by foreigners http //www.stippy.com/japan-waiwai-archives/mainichi-on-foreign-crime-fearmongering/ "Author dismisses government's fear mongering myth of crime wave by foreigners" WaiWai Deadly ‘iku iku byo’ reaches a climax http //www.stippy.com/japan-waiwai-archives/deadly-iku-iku-byo-reaches-a-climax/ WaiWai Nukudonarudo vs McDonalds http //www.stippy.com/japan-waiwai-archives/nukudonarudo-vs-mcdonalds/ WaiWai Operator of notorious bulletin board lost in cyber space http //www.stippy.com/japan-waiwai-archives/operator-of-notorious-bulletin-board-lost-in-cyber-space/ WaiWai Japanese prove easy prey for Chinese honey traps http //www.stippy.com/japan-waiwai-archives/japanese-prove-easy-prey-for-chinese-honey-traps/ WaiWai Ladies flash the cash, but don't want the money shot in their dirty DVDs http //www.stippy.com/japan-waiwai-archives/ladies-flash-the-cash-but-dont-want-the-money-shot-in-their-dirty-dvds/ WaiWai Lusty lady takes quartet of toy boys for a spin http //www.stippy.com/japan-waiwai-archives/lusty-lady-takes-quartet-of-toy-boys-for-a-spin/ WaiWai Marriages in the mire as housewives frolic further afield http //www.stippy.com/japan-waiwai-archives/marriages-in-the-mire-as-housewives-frolic-further-afield/ WaiWai Hungry housewives make a bit on the side through amateur porn http //www.stippy.com/japan-waiwai-archives/hungry-housewives-make-a-bit-on-the-side-through-amateur-porn/ WaiWai Ancient rice festival has reputation smeared by 'therapeutic' facial cream claims http //www.stippy.com/japan-waiwai-archives/ancient-rice-festival-has-reputation-smeared-by-therapeutic-facial-cream-claims/ WaiWai Sex? Been there, done that, say disinterested wives http //www.stippy.com/japan-waiwai-archives/sex-been-there-done-that-say-disinterested-wives/ WaiWai Saucy spontaneity not just something that pops up out of the blue http //www.stippy.com/japan-waiwai-archives/saucy-spontaneity-not-just-something-that-pops-up-out-of-the-blue/ WaiWai Randy young couples play scrub-a-dub at rural hot springs http //www.stippy.com/japan-waiwai-archives/waiwai-randy-young-couples-play-scrub-a-dub-at-rural-hot-springs/ WaiWai 「Girls give titillating tell-all in saucy survey http //www.stippy.com/japan-waiwai-archives/girls-give-titillating-tell-all-in-saucy-survey/ WaiWai When ‘this is a stick-up’ means you’re really in trouble http //www.stippy.com/japan-waiwai-archives/when-this-is-a-stick-up-means-youre-really-in-trouble/ WaiWai Salarymen slaves stiffed by ‘merit’ pay system http //www.stippy.com/japan-waiwai-archives/salarymen-slaves-stiffed-by-merit-pay-system/ WaiWai The kabuki actor, his politician wife, the rock star and their geisha http //www.stippy.com/japan-waiwai-archives/kabuki-actor-his-politician-wife-the-rock-star-and-their-geisha/ WaiWai Early blossoms pop cherry-loving fun http //www.stippy.com/japan-waiwai-archives/early-blossoms-pop-cherry-loving-fun/ WaiWai Porno prima ballerina stretches more than the imagination http //www.stippy.com/japan-waiwai-archives/porno-prima-ballerina-stretches-more-than-the-imagination/ WaiWai Brainiac bath brothel savior blowing more than bubbles http //www.stippy.com/japan-waiwai-archives/waiwai-brainiac-bath-brothel-savior-blowing-more-than-bubbles/ WaiWai Pot of gold from crock of crap? http //www.stippy.com/japan-waiwai-archives/waiwai-pot-of-gold-from-crock-of-crap/ WaiWai Female Sexuality Evolving So Fast, Guys Can’t Keep It Up http //www.stippy.com/japan-waiwai-archives/female-sexuality-evolving-so-fast-guys-cant-keep-it-up/ WaiWai Sex, rape & slaves inserted in sick holiday menu http //www.stippy.com/japan-waiwai-archives/sex-rape-slaves-inserted-in-sick-holiday-menu/ WaiWai Russian Sex Roulette in Japan http //www.stippy.com/japan-waiwai-archives/waiwai-russian-sex-roulette-in-japan/ WaiWai Erotic sushi bar serves up tantalizing treats http //www.stippy.com/japan-waiwai-archives/erotic-sushi-bar-serves-up-tantalizing-treats/ WaiWai New vibrating condom unlocks the power of “ki” http //www.stippy.com/japan-waiwai-archives/new-vibrating-condom/ WaiWai Fat arse dolls - just like the girl next door http //www.stippy.com/japan-waiwai-archives/fat-as-dolls-just-like-the-girl-next-door/ "Fat ass dolls --just like the girl next door" WaiWai Fast food sends schoolgirls into sexual feeding frenzy http //www.stippy.com/japan-waiwai-archives/fast-food-sends-schoolgirls-into-sexual-feeding-frenzy/ WaiWai More mums going down, to ensure grades go up! http //www.stippy.com/japan-waiwai-archives/more-mums-going-down-to-ensure-grades-go-up/ WaiWai Virtual Nampa - Online Dating http //www.stippy.com/japan-waiwai-archives/virtual-nanpa-online-dating/ 関連ページ Ancient rice festival has reputation Deadly 'iku iku byo' reaches a climax Defense Ministry turns to 'Lolita' manga character to reveal inner self Erotic sushi' bar serves up tantalizing treats Fast food sends schoolgirls into sexual feeding frenzy Female Sexuality Evolving So Fast, Guys Can't Keep It Up Gals refresh body and soul by 'recycling sex' with old beaus Get wet and go wild housewife rakes in extra loot at the neighborhood body wash Girls give titillating tell-all in saucy survey Hungry housewives make a bit on the side through amateur porn Lusty lady takes quartet of boy toys for a spin More moms going down, to ensure grades go up New vibrating condom unlocks the power of ki Operator of notorious bulletin board lost in cyber space Randy young couples play scrub-a-dub at rural hot springs Schoolgirls playing filthy game of orgy roulette Sex, rape slaves inserted in sick holiday menu Teachers crying foul over unhygienic kids The Cook, the Beast, the Vice and its Lover Tokugawa clan looks to slam the gate on future chief’s marriage to foreigner WaiWaiの記事を転載した英語サイト：J WaiWaiの記事を転載した英語サイト：V 毎日新聞英語版から配信された記事一覧その2 毎日新聞謝罪記事の問題点
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Backing Band The Skatalites スカタライツ 主な活動地：ジャマイカ 主な活動時期：1960年代 ジャンル：1st wave（オリジナル・スカ） スカの代名詞として、スカを語る上では外せないバンド。 オリジナルメンバーでの活動は、1963年結成、1965年解散。当時は「The Ska-Talites」のクレジットで活動していた。 1975年と1983年に再結成。メンバーチェンジを経て、現在は各国でのライブやアルバム制作など、精力的に活動中。 Studio 1?所属シンガーのバック・バンドであり、録音した楽曲は600曲以上である。 Bob Marley?が初めてレコーディングした際、演奏を担当したのはスカタライツであった。 有名な曲 Guns of Navarone（Roland Alphonso? The Skatalites） Eastern Standard Time（Don Drummond The Skatalites） Latin Goes Ska Don De Lion? Lucky Seven（Baba Brooks? The Skatalites） 現在のメンバー Lloyd Knibb?（ドラムス?） Doreen Shaffer?（ボーカル） Lester Sterling?（アルト・サックス） Karl Bryan?（アルト・サックス、テナー・サックス） Cedric Im Brooks?（テナー・サックス） Vin Gordon? （トロンボーン／Don Drummond Jr.） Devon James?（ギター） Ken Stewart?（キーボード?） Kevin Batchelor?（トランペット） Val Douglas?（ベース） オリジナル・メンバー Tommy McCook（テナー・サックス） Rolando Alphonso?（テナー・サックス、アルト・サックス、ソプラノ・サックス） Lester Sterling?（アルト・サックス） Don Drummond（トロンボーン） Johnnie Moore?（トランペット） Jackie Mittoo?（キーボード?） Jah Jerry?（ギター） Lloyd Brevett?（ベース） Lloyd Knibb?（ドラムス?） Jackie Opel?（ボーカル） Doreen Shaffer?（ボーカル） 関わりの深いミュージシャン レコーディングに参加したり、ライブでのサポート演奏を行ったアーティスト。 Ernest Ranglin?（ギター） Lyn Taitt?（ギター） Gladstone Anderson?（キーボード?） Lloyd Richard Ace Richards?（キーボード?） Cecil Lloyd?（キーボード?） Aubrey Adams?（キーボード?） Rico Rodriguez?（トロンボーン） Baba Brooks?（トランペット） Raymond Harper?（トランペット） Percival Rupert Dillon?（トランペット） Larry McDonald?（コンガ?） Noel Scully Simms?（パーカッション） Robert Bobby Gaynair?（テナー・サックス） Stanley Ribbs?（テナー・サックス） Sammy Ismay?（テナー・サックス） Dennis Campbell?（テナー・サックス） Tony DaCosta?（ボーカル） Lord Tanamo（ボーカル） プロデューサー Coxson Dodd? Duke Reid? Prince Buster Justin Yap? Victor Randy Chin? King Edwards? Lyndon O. Pottinger? Leslie Kong? バイオグラフィー 結成前 Tommy McCook、Don Drummond、Johnnie Moore?、Lester Sterling?はAlpha Boys Schoolの卒業生であった。卒業後は、観光客相手のホテルなどでの演奏活動（R Bやジャズのカバーがメイン）をしていた。 Lloyd Knibb?, Johnnie Moore?, Jackie Mittoo?がThe Sheiks?というバンドで活動していた。 1963年 The Sheiks?が、バンド名をThe Cavaliers Orchestra?に改名。同時期に、3人は新たなバンドを立ち上げようと試み、メンバーを集める。 6月、音楽プロデューサー?のCoxsone Doddが、自らのレーベル・Studio 1?のバックバンドとしてメンバーを集める。 1964年 6月、The Ska-talitesとして活動を開始。 初のLP盤『Ska Authentic』をStudio 1?で録音。 1965年 1月、メンバーのDon Drummondが投獄される。彼のガールフレンド（Anita Marguerita Mahfood）の殺人容疑で有罪と判決され、Bellevue Asylum（ベルヴュー収容所）で留置される。 8月、解散。The Skatalitesとして最後のショーを行う。 解散後、Roland Alphonso?、Johnnie Dizzie Moore?、Jackie Mittoo?、Lloyd Brevett?はStudio 1?に残りSoul Brothers?（後のSoul Vendors?）を結成。 Tommy McCookとDon Drummondは、Roland Alphonso?との確執により、Studio 1?と敵対関係にあるレーベル・Treasure Isle?へと移籍。Tommy McCookはSupersonics?を結成。 Lester Sterling?はプロデューサー・ Sir Clancy Collins?の元へ。 1969年 刑務所内でDon Drummondが他界。 1975年 Lloyd Brevett?の呼びかけにより、再結成に向けたセッションがBlack Ark Studio?とAquarius?で行われる。 このセッションはKing Tabby?が関わり、1976年に『Herb Dub, Collie Dub』『Legendary Skatalites in Dub』としてリリースされる。 1983年 再結成。7月にモンテゴ・ベイ?で行われたイベントReggae Sunsplash Festival?を皮切りに、ジャマイカでライブ活動を再開するようになる。 1985年 メンバーがアメリカに移住。アメリカ北東部でライブ活動を始める。 1989年 4月、Bunny Wailer?のバックバンドとして世界ツアーをまわる。初来日も果たす。 1990年 ツアーではじめてアメリカ国内をまわる。 Prince Busterのバックバンドとして世界ツアーをまわる。 12月、Jackie Mittoo?がガンにより他界。 1992年 ツアーではじめてヨーロッパ国内をまわる。 当時の大統領であったPJ PattersonがThe Skatalitesのファンであったこともあり、独立記念日の祭典で演奏を行う。 1996年 1月、アルバム『Hi-Bop Ska』がグラミー賞の「Best Reggae Album」部門にノーミネートされる。 1997年 1月、アルバム『Greetings From Skamania』がグラミー賞の「Best Reggae Album」部門にノーミネートされる。 1998年 5月、Tommy McCookが他界。 11月、Rolando Alphonso?が他界。 2002年 初のワールドツアー開催。アメリカ、ヨーロッパ、メキシコ、ベネズエラ、プエルトリコ、ロシア、日本をまわる。 2008年 8月、Johnny Moore?が他界。 現在 各国でのライブやアルバム制作など、精力的に活動中。 結成時からのメンバーの中では、Lester Sterling?とLloyd Knibb?が現在も活動中。 客観的評価 1964年6月20日 ジャマイカThe STAR誌より "The hottest Ska group in town is the Ska-talites. Last Sunday at Bournemouth was the likes of which you ve never seen, with grown men prostrate at the tuffness of the sounds." （町で最も熱いスカ・グループはSka-talitesである。この前の日曜は、ボーンマス（＝イギリスの地名）でメンバーが、これまでに見たことのないタフな音で人々を圧倒していた。） 1988年4月8日 ニューヨーク・タイムズ誌より "The Skatalites were essential in the transformation of Ska -- with its obvious connection to the United States and its high speed tempos -- into Reggae." （The Skatalitesはスカがレゲエへと変形するのに不可欠な存在だった。スカはアメリカとの明白なつながりとスカのテンポの速さを持っていた。） 1994年2月24日 ローリング・ストーン誌より "Even before they became a band, the members of The Skatalites were already trendsetters on the Jamaican music scene." （バンドとして活動する以前から、The Skatalitesのメンバーは既にジャマイカ音楽の流行仕掛け人であった。） 1994年10月18日 ビルボード誌より "The Skatalites, Jamaica s supreme instrumental band." （The Skatalitesは、ジャマイカが生んだ最高のインストバンドである。） 1997年12月25日 ローリング・ストーン誌より "The Skatalites - Jamaica s answer to the Motown house band and Booker T. and the MG s combined" （The Skatalitesは、1960～70年代アメリカのソウル系のレーベルに対する、ジャマイカの回答である。） Similer Artist (Sort by Last-FM) The Specials? Desmond Dekker? Roland Alphonso? The Toasters? The Slackers? Don Drummond The Ethiopians Prince Buster Similer Artist (Sort by MP3.com) Desmond Dekker? The Specials? Don Drummond Revolutionaries? Rico? Roland Alphonso? YouTube撰 Guns Of Navarone 【2003】live at Glastonbury Festival http //www.youtube.com/watch?v=xHxEijSG7fg Latin Goes Ska 【1984】Splashin The Palace, London, UK http //www.youtube.com/watch?v=deA97R7uls0 動画をもっと見る Albums 1974 Best of Ska-Talites 1976 The Legendary Skatalites 1983 Celebration Time 1984 Live At Sunsplash 1984 With Sly & Robbie & Taxi Gang●詳細調査中 1984 Return of the Big Guns 1984 Scattered Lights 1987 Stretching Out 1988 Ska-Ta-Shots 1989 Mood For Ska 1989 Skagroove In Japan 1993 Ska Voovee 1993 McCooke s Book Ska 1993 World Famouska 1994 Liberation Ska●詳細調査中 1994 Hi-Bop Ska 1996 Greetings from Skamania 1997 Ball of Fire 1997 Freedom Sounds A Tribute to the Skatalites 1998 Latin Goes Ska 1998 The Skatalites And Don Drummond 1998 Ska Ra Van Top Sounds From Top Deck, Vol. 1 1998 Ska Boo-Da-Ba Top Sounds From Top Deck, Vol. 3 1998 Ska-ta-shot Top Sounds From Top Deck, Vol. 4 1998 Ska-Tola Top Sounds From Top Deck, Vol. 5 1998 Ska-Lternative Top Sounds From Top Deck, Vol. 6 1998 Sings Songs Ska Top Deck, Vol. 7 1998 Ska Non Stop Top Deck, Vol. 8 1999 Musical Communion 2000 Bashaka 2001 Nucleus of Ska 2001 Guns of Navarone 2002 From Paris With Love 2003 Ska Down Jamaica Way Vol.1 Ska Boo Da Ba 2004 In The Mood For Ska 2005 Kingston 11 2006 The Skatalites In Orbit,Vol.1 2006 Roots Party 2006 Le World...Ska...Skatalites 2007 On the Right Track 2007 Play Ska Collaborations 1964 Ska Authentic The Skatalites（Various Artist） 1965 This Is Jamaica Ska Various Artist 1965 The Skatalites Plus The Skatalites（Various Artist） 1967 Ska Authentic, Vol.2 Various Artist 1969 The Skatalite! Tommy McCook The Skatalites 1975 Heroes of Reggae Dub The Skatalites King Tubby? 1978 African Roots Lloyd Brevette? with The Skatalites 1989 Skatakites Featuring Jackie Opel The Skatakites, Jackie Opel? 1992 Skament Movement Lord Tanamo with The Skatalites 1993 A Tribute to the Skatalites Don Drummond,Baba Brooks?,Tommy McCook 1993 Hog in a Cocoa The Skatalites Friends 1996 Foundation Ska The Skatalites（Various Artist） 1998 Skatalites & Friends At Randy s The Skatalites Friend 1999 Tribute To Tommy The Best Of Tommy McCook And The Skatalites Tommy McCook The Skatalites 1999 Jazz in Jamaica Various Artist 1999 The Clash of The Ska Titans Laurel Aitken? The Skatalites 2000 Trilogy The Skatalites Friends 2001 Herb Dub, Collie Dub The Skatalites King Tubby? 2001 Legendary Skatalites in Dub The Skatalites King Tubby? 2001 Guns of Navarone The Best of the Skatalites The Skatalites（Various Artist） 2002 Lucky Seven The Skatalites（Various Artist） 2002 The Long Hot Summer Laurel Aitken? with The Skatalites 2002 More Celebration Time The Skatalites（Various Artist） 2002 Ska Splash The Skatalites Friends 2004 Phoenix City The Skatalites Friends 2006 Independent Ska The Skatalites（Various Artist） 2007 Anthology The Skatalites（Various Artist） **** The Birth Of Ska Various Artist As Backing Band 196* Dancing Mood? Delroy Wilson 1998 A Love To Share Top Sounds From Top Deck, Vol. 2 Jackie Opel? - Ferdie Nelson? Compilations 1980 Club Ska 67? 1991 Ska Bonanza The Studio One Ska Years 1997 Ska Island 2000 Ska Stock-Tribute To The Skatalites 7inch Ska Mania Wood And Water? 出典 公式サイト 参考リンク all music excite!Music Last FM Japan Last FM Listen!Japan mixi「skatalites」 mixi「ザ・スカタライツ」 mixi「The Skatalites」] mp3.com My Space oops wikipedia 英語版「The Skatalites」 wikipedia 日本語版「スカタライツ」
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Ryota Matsumoto is the renowned philosopher and visual artist known for the hybrid art and postdigital theory. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Education Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London, Mackintosh School of Architecture, Glasgow School of Art and University of Miami in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. Architectural and Visual Work As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Prize, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto's multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Official Website http //ryotamatsumoto.com
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【登録タグ L SOUND HOLIC SWING HOLIC SYO VOL.04 曲 月時計 ～ ルナ・ダイアル】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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イベント http_response http_response(key request_id, integer status, list metadata, string body) このイベントハンドラはllHTTPRequest()関数で送信したリクエストに対して HTTPレスポンスを受信したときに発生します。 また、llHTTPRequest()関数で送信したリクエストに対してリクエストが失敗していたり、タイムアウトした時にも発生します。 request_idにはllHTTPRequest()関数の呼び出しが発生したときにllHTTPRequest()関数が返したUUIDの値が格納されます。 statusはHTTPレスポンスが返されたのか、リクエストが失敗した原因を示すHTTPステータスコードが設定されます。 499はTCPコネクションの確立が失敗したときや、コネクションが確立されても、それが無効なHTTP応答あった場合を示します。 ま、499は相手が無効なSSL証明書を持っている場合や、証明をつけてあっても、 一定時間（60秒に設定されることが多いらしい）以上経過して応答がなかった場合も499を受け取ります。 503はDNSへの問い合わせが失敗したことを示します。 #本来のHTTPにおいてはService Unavailable(サービス利用負荷)と呼ばれ、 サーバはサーバの一時的な過負荷あるいはメインテナンスのために、 現在、リクエストを扱うことができないことを意味します。 metadataは応答について説明するキーと値の組のペアがリストとして格納されます。 現在、返されるであろう唯一のキーはHTTP_BODY_TRUNCATEDです。 Valueにはイベントの受信容量の制限によって切り捨てられた情報のバイト数を示します。 応答がテキストmime-typeを指定する「content-type 」ヘッダーを含んでいる限り,bodyはHTTP応答のbodyに設定されます。 mime-typeが指定されないか、タイプがテキストタイプでないなら、bodyは「"Unsupported or unknown Content-Type." (サポートされないか未知のコンテントタイプ)」に設定されます。 「content-type 」ヘッダーで文字セットを指定すると、ボディーはUTF-8に変換されて応答するでしょう、また、サポートされてない文字コードが指定された場合は「サポートされないか未知の文字集合」に設定されるでしょう。 ボディーは現在、2048バイト以内に制限されます。 "\n"はLSLではコンパイル時に「改行文字」に変換されることを忘れないでください。 そして、あなたのサーバーが"\n"以外の文字を「改行文字」として定義されている可能性があります。 あなたは「改行」を加える適切な方法がないかどうかあなたのサーバのドキュメンテーションをチェックするべきです。 あなたのマイレージは変わるかもしれません。-Ice あなたのWEBサーバーからデーターを得る簡単なスクリプト例 //This script requests from our data source (URL) and echoes out what it sends to the owner of the script //I use this to test my PHP apps personally, it's a simple debugging application so I release it publicly //You may use, redistribute, modify, copy however you feel would be useful string URL="http //www.secondlife.com/httprequest/homepage.php"; key http;//This stores the HTTP request we send. default { [[touch_start]](integer foo) { http=llHTTPRequest(URL, [] ,""); } http_response(key id,integer status, list meta, string body) { if(http==id) { integer i; list lbody=llParseString2List(body,["\n"],[]); integer count=llGetListLength(lbody); //This turns newline characters char(10) //into new lines in chat //These are Unix/LSL style end of lines, //use \r\n in place of \n for //Windows style end of line from web server. for(i=0;i count;i++) { llOwnerSay(llList2String(lbody,i)); } } } }
https://w.atwiki.jp/touhoukashi/pages/3950.html
【登録タグ A-One NAGISA S TOHO EUROBEAT VOL.8 旧地獄街道を行く 曲 華のさかづき大江山】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/mrfrtech/pages/41.html
Market Scenario The worldwide Digital Business Card Market is predicted to achieve approximately USD 242.3 million by the end of 2027. Further, the same market has estimated to reach a CAGR of ~11.2% in the assessment period of 2021 to 2027. Basically, digital business cards are easy to share with others through email, text (SMS), Facebook Messenger, QR code, Telegram, Twitter, Facebook, WhatsApp, LinkedIn, and others. The increasing importance of sustainability among various consumers and businesses, growing users of smartphones across the world, and interesting options and features provided by digital business cards are some of the major growth driving factors for the global digital business card market during the assessment time frame. Moreover, the global market has lucrative growth opportunities for the key players due to the rising small medium size enterprises across the world. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10696 Competitive Outlook HiHello, Inc. (US), Haystack (Australia), Inigo (US), L-Card (US), Switchit (US), Adobe (US), Techno Infonet (India), About.me (US), SnapDat (US), CamCard (US), Mobilo (US), DziCard.com (Quancore Group) (India), Knowee (Spain), Lulu Systems, Inc. (US), and Vistinkard (India)are the key companies of the global digital business card market. Segmentation Segmentally, the global digital business card market has been divided based on platform, type, application, and pricing. The digital business card industry has been classified based on the platform segment such as Windows, iOS, and Android. Among all, the Android segment is projected to hold the leading position by generating the largest market share in the global market during the research time frame. In terms of type segment, the market for the digital business card has been categorized into enterprise user, business user, and individual user. Of these, the enterprise user segment is registered to account for the dominant position by holding the largest market share in the worldwide market during the research period. On the basis of the application segment, the digital business card industry has been divided into sales entrepreneurs, business owners, events and travels, marketing agencies, consultants, education and training, software IT, health and beauty, finance realtors, and others. Out of all, the segments like sales entrepreneurs, business owners, consultants, and marketing agencies are contributing largely to the growth of the digital business card market. Depending on the pricing segment, the global market has been segmented yearly and monthly. Here, the yearly pricing segment has held the largest market share due to the huge discount on annual subscriptions provided by various companies. Moreover, the individual segment is projected to boost the global market growth during the assessment time frame. Regional Analysis According to digital business card market analysis, the market has been spread across different regions such as Asia-Pacific (APAC), North America, the Middle East Africa, South America, Europe, and the rest of the world. Among all, the North American market is registered to hold the largest market share during the forecast time frame due to rising rapid digitalization in different enterprises and businesses. Moreover, the growing importance of sustainability among various enterprises and companies and increasing environmentally conscious among customers drive regional market growth. Apart from these, the Asia-Pacific market is accounted to expand the fastest CAGR in the review period due to the rising digitalization among different businesses. Industry News On 29th July 2021, the dominant digital business card platform for businesses and individuals named HiHello Inc. has declared its new funding of USD 7.5 million with an aim to grow its business platform and expand its team to support all sizes of companies. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/digital-business-card-market-10696 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report** Internet of things (IoT) Market https //ictmrfr.blogspot.com/2022/04/internet-of-things-market-growth-key.html B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befb Burglar Alarm Market https //www.scutify.com/articles/2022-04-04-burglar-alarm-industry-scope-and-overview-booming-worldwide-size-share-threats-key-players About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #google #data #report #size #share #digital #news #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment